Duration : 0:1:55

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Duration : 0:1:57

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In support of the American effort in World War II, the statuettes were made of plaster and were traded in for gold ones after the war had ended. The root of the name Oscar is contested. One biography of Bette Davis claims that she named the Oscar after her first husband, band leader Harmon Oscar Nelson; one of the earliest mentions in print of the term Oscar dates back to a Time magazine article about the 1934 6th Academy Awards and to Bette Davis’s receipt of the award in 1936. Walt Disney is also quoted as thanking the Academy for his Oscar as early as 1932. Another claimed origin is that the Academy’s Executive Secretary, Margaret Herrick, first saw the award in 1931 and made reference to the statuette’s reminding her of her ‘Uncle Oscar’ (a nickname for her cousin Oscar Pierce). Columnist Sidney Skolsky was present during Herrick’s naming and seized the name in his byline, ‘Employees have affectionately dubbed their famous statuette ‘Oscar”. The trophy was officially dubbed the ‘Oscar’ in 1939 by the Academy of Motion Pictures Arts and Sciences. Another legend reports that the Norwegian-American Eleanor Lilleberg, executive secretary to Louis B. Mayer, saw the first statuette and exclaimed, ‘It looks like King Oscar II!’. At the end of the day she asked, ‘What should we do with Oscar, put him in the vault?’ and the name stuck. Since 1950, the statuettes have been legally encumbered by the requirement that neither winners nor their heirs may sell the statuettes without first offering to sell them back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards not protected by this agreement have been sold in public auctions and private deals for six-figure sums. While the Oscar is under the ownership of the recipient, it is essentially not on the open market. The case of Michael Todd’s grandson trying to sell Todd’s Oscar statuette illustrates that there are some who do not agree with this idea. When Todd’s grandson attempted to sell Todd’s Oscar statuette to a movie prop collector, the Academy won the legal battle by getting a permanent injunction. Although Oscar sales transactions have been successful, some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury. Since 2004, Academy Award nomination results have been announced to the public in late January. Prior to 2004, nomination results were announced publicly in early February. The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, maintains a voting membership of 5,835 as of 2007. Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy’s composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) for the past 73 annual awards ceremonies. All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contribution to the field of motion pictures. New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then. Currently, according to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, to qualify (except for the Best Foreign Language Film). For example, the 2010 Best Picture winner, The Hurt Locker, was actually first released in 2008, but did not qualify for the 2009 awards as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2010 awards. Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with native resolution not less than 1280×720. Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academ
Wiki: http://en.wikipedia.org/wiki/Academy_Award

Duration : 0:14:57

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Frankie is finally willing to arrange a title fight. He secures Maggie a $1 million match in Las Vegas against the WBA women’s welterweight champion, Billie ‘The Blue Bear’, a German ex-prostitute who has a reputation as a dirty fighter. Overcoming a shaky start, Maggie begins to dominate the fight, but after a round has ended, Billie knocks her out with a sucker punch from behind. Before Frankie can pull a stool out of the way, Maggie lands hard on it, breaking her neck and leaving her a quadriplegic. At first, Frankie refuses to accept the bleak prognosis, but dozens of other medical opinions unanimously confirm there is no hope of recovery. He half-heartedly places the responsibility on Scrap for convincing him to train Maggie, but in the end blames himself. In a medical rehabilitation facility, Maggie looks forward to a visit from her family, though Frankie repeatedly calls them with no success. Eventually, the family arrives — but only after first visiting Disneyland and Universal Studios Hollywood — and with an attorney in tow. Their lone concern is to arrange the transfer of Maggie’s assets to them. She sees through their transparent scheme and orders them to leave. Frankie never leaves her side. He reads to her, urges her to go back to school and invites her to come live with him. As the days pass, though, Maggie develops bedsores and undergoes an amputation for an infected leg. She asks a favor of Frankie — to help her die while she can still remember the cheers she heard, saying she got what she most wanted out of life. A horrified Frankie refuses, but seeks the advice of his Catholic priest (whom he has tormented for 23 years). Father Horvak warns him that euthanasia is a grave sin, far worse than anything he has ever done. Maggie bites her tongue repeatedly in an attempt to bleed to death, but the medical staff saves her life and takes measures to prevent further suicide attempts. Frankie sneaks in one night. Just before administering a fatal injection of adrenaline, he finally tells Maggie the meaning of a nickname he gave her, Mo Chuisle (spelled incorrectly in the film as ‘mo cuishle’): Irish for ‘my darling, and my blood’ (literally, ‘my pulse’). And then Frankie disappears for good. Scrap’s narration is revealed to be a letter to Frankie’s daughter, Katy, informing her of her father’s true character. The film was stuck in so-called ‘development hell’ for years before it was shot. Several studios rejected the project even when Eastwood signed on as actor and director. Even Warner Bros. , Eastwood’s longtime home base, would not agree to a USD$30 million budget. Eastwood persuaded Lakeshore Entertainment’s Tom Rosenberg to put up half the budget (as well as handle foreign distribution), with Warner Bros. kicking in the rest ($15 million). Eastwood shot the film in less than 40 days between June and July 2004. Filming occurred in Los Angeles and film sets at Warner Brothers Studios. The term, ‘Million Dollar Baby’ was from a nose art on a WWII B24 heavy bomber. Eastwood had his daughter Morgan Colette appear in a brief role as a girl who waves to Swank’s character at a gas station. Million Dollar Baby initially had a limited release, opening in just eight theaters in December 2004. In its later wide release, the film earned $12,265,482 in North America and quickly became a box-office hit both domestically and internationally. It grossed $216,763,646 in theaters; $100,492,203 in the United States, and $116,271,443 overseas. The film played in theaters for six and a half months. The film received highly positive reviews. Roger Ebert gave the film four stars and stated that ‘Clint Eastwood’s Million Dollar Baby is a masterpiece, pure and simple,’ listing it as the best film of 2004. Michael Medved stated that: ‘My main objection to Million Dollar Baby always centered on its misleading marketing, and effort by Warner Brothers to sell it as a movie about a female Rocky, with barely a hint of the pitch-dark substance that led Andrew Sarris of the New York Observer to declare that ‘no movie in my memory has depressed me more than Million Dollar Baby.”In January and February 2005, the film sparked controversy when some disability rights activists protested against the ending. Wesley J. Smith in The Weekly Standard also criticized the film for its ending and for missed opportunities; Smith said, ‘The movie could have ended with Maggie triumphing once again, perhaps having obtained an education and becoming a teacher; or, opening a business managing boxers; or perhaps, receiving a standing ovation as an inspirational speaker.’Eastwood
Wikipedia: http://en.wikipedia.org/wiki/Million_Dollar_Baby

Duration : 0:7:50

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Duration : 0:2:54

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Golden Globe nominee for Best Motion Picture – Drama (See-Saw Films and Bedlam Productions; The Weinstein Company), Best Performance by an Actor in a Motion Picture – Drama (Colin Firth), Best Performance by an Actress In A Supporting Role in a Motion Picture (Helena Bonham Carter), Best Performance by an Actor In A Supporting Role in a Motion Picture (Geoffrey Rush), Best Director – Motion Picture (Tom Hooper), Best Screenplay – Motion Picture (David Seidler), Best Original Score (Alexandre Desplat)

BAFTA nominee for Best Film (Iain Canning, Emile Sherman, Gareth Unwin), Outstanding British Film (Tom Hooper, David Seidler, Iain Canning, Emile Sherman, Gareth Unwin), Best Director (Tom Hooper), Original Screenplay (David Seidler), Leading Actor (Colin Firth), Supporting Actor (Geoffrey Rush), Supporting Actress (Helena Bonham Carter), Original Music (Alexandre Desplat), Cinematography (Danny Cohen), Editing (Tariq Anwar), Production Design (Eve Stewart, Judy Farr), Costume Design (Jenny Beavan), Sound (John Midgley, Lee Walpole, Paul Hamblin, Martin Jensen), Make Up and Hair (Frances Hannon)

Duration : 0:3:4

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In support of the American effort in World War II, the statuettes were made of plaster and were traded in for gold ones after the war had ended. The root of the name Oscar is contested. One biography of Bette Davis claims that she named the Oscar after her first husband, band leader Harmon Oscar Nelson; one of the earliest mentions in print of the term Oscar dates back to a Time magazine article about the 1934 6th Academy Awards and to Bette Davis’s receipt of the award in 1936. Walt Disney is also quoted as thanking the Academy for his Oscar as early as 1932. Another claimed origin is that the Academy’s Executive Secretary, Margaret Herrick, first saw the award in 1931 and made reference to the statuette’s reminding her of her ‘Uncle Oscar’ (a nickname for her cousin Oscar Pierce). Columnist Sidney Skolsky was present during Herrick’s naming and seized the name in his byline, ‘Employees have affectionately dubbed their famous statuette ‘Oscar”. The trophy was officially dubbed the ‘Oscar’ in 1939 by the Academy of Motion Pictures Arts and Sciences. Another legend reports that the Norwegian-American Eleanor Lilleberg, executive secretary to Louis B. Mayer, saw the first statuette and exclaimed, ‘It looks like King Oscar II!’. At the end of the day she asked, ‘What should we do with Oscar, put him in the vault?’ and the name stuck. Since 1950, the statuettes have been legally encumbered by the requirement that neither winners nor their heirs may sell the statuettes without first offering to sell them back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards not protected by this agreement have been sold in public auctions and private deals for six-figure sums. While the Oscar is under the ownership of the recipient, it is essentially not on the open market. The case of Michael Todd’s grandson trying to sell Todd’s Oscar statuette illustrates that there are some who do not agree with this idea. When Todd’s grandson attempted to sell Todd’s Oscar statuette to a movie prop collector, the Academy won the legal battle by getting a permanent injunction. Although Oscar sales transactions have been successful, some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury. Since 2004, Academy Award nomination results have been announced to the public in late January. Prior to 2004, nomination results were announced publicly in early February. The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, maintains a voting membership of 5,835 as of 2007. Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy’s composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) for the past 73 annual awards ceremonies. All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contribution to the field of motion pictures. New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then. Currently, according to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, to qualify (except for the Best Foreign Language Film). For example, the 2010 Best Picture winner, The Hurt Locker, was actually first released in 2008, but did not qualify for the 2009 awards as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2010 awards. Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with native resolution not less than 1280×720. Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academ
Wiki: http://en.wikipedia.org/wiki/Academy_Award

Duration : 0:15:5

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Duration : 0:1:29

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Because Best Supporting Actor winner Heath Ledger died in January 2008 making his nomination one of posthumous recognition, the Academy had disputes over who should accept the award and who should gain ownership of it should Ledger win. Following talks with Ledger’s family in Australia, the Academy ruled that his previous domestic partner Michelle Williams could not accept the award as the two were not married. They then decided that Ledger and Williams’ three-year-old daughter, Matilda Rose Ledger, would own the award. However, due to Matilda’s age, she will not gain full ownership of the statuette until her eighteenth birthday in 2023. Until that time, Michelle Williams will hold the statuette in trust for Matilda. Ledger’s family attended the ceremony and his parents accepted the award on stage on his behalf. Shortly after the voting polls were closed for the awards, a purported list of winners was posted online. The list, which bore a purported signature from Academy president Sid Ganis, stated that Mickey Rourke won for Best Actor, Kate Winslet won for Best Actress, Amy Adams won for Best Supporting Actress, Heath Ledger won for Best Supporting Actor, and Slumdog Millionaire won for Best Picture. It was later confirmed as a fake list. The Academy of Motion Picture Arts and Sciences spokeswoman Leslie Unger later revealed that the list was ‘a complete fraud’, and that PricewaterhouseCoopers had just begun to count the ballots. The list was proved false as the first award of the night, Best Supporting Actress, was awarded to Penélope Cruz, not Amy Adams, the purported winner in the falsified list. (The last time names of award winners were leaked prior to the ceremony was at the 12th Academy Awards for 1939, before the Academy adopted the use of sealed envelopes for voting results. )Prior to the nominations announcement, it was suggested that the 2008-09 Screen Actors Guild labor dispute could affect the awards by discouraging actors’ attendance at the ceremony, However, as talks to end the dispute between the Screen Actors Guild (SAG) and the Alliance of Motion Picture and Television Producers (AMPTP) were ongoing, the expected strike did not affect the awards ceremony, although a resolution between SAG and AMPTP had not yet been reached at the time. Peter Gabriel, who was originally scheduled to perform his nominated song ‘Down to Earth’ from WALL-E during the live broadcast, declined to perform after learning that he would be allowed to sing only 65 seconds of the song during the ceremony’s Best Original Song nominee performances. Gabriel still attended the ceremony. John Legend performed the song in place of Gabriel, backed by the Soweto Gospel Choir. The telecast featured multiple yearbook style montages of films seen in 2008. They were made up of the animation, romance, comedy, documentary and action film categories. The animation segment began in a scene from WALL-E where the title character cuts open a damaged refrigerator revealing a VHS tape and an Oscar stauette. Wall-E plays the VHS tape on a tape recorder, which features the actual segment. At the end of the segment, multiple animated characters from the clips are revealed to be watching the tape with Wall-E. Listed below are the films featured in the segment. Background music: ‘Attack of the 60 ft. Lesbian Octopus’ by Does It Offend You, Yeah?Listed below are the films featured in the segment. Background music: ‘Lovers in Japan’ by ColdplayDirected by Judd Apatow. The segment begins in a set from Pineapple Express. Dale Denton brings Saul Silver every film that was not nominated for an Oscar to watch (though many were). After viewing the movies, Saul wonders why Janusz Kamiński is with a film crew in his apartment. They invite Kaminski to watch the remaining movies with them. Listed below are the films featured in the segment. The segment featured the directors and co-directors of each of the five nominated Best Documentary Feature films discussing their thoughts on the art of documentaries. Listed below are the films featured in the segment. Listed below are the films featured in the segment. Background music: ‘Tick Tick Boom’ by The HivesBaz Luhrmann, who has been dismissed in the past by the Australian media as a postmodern for his adaption William Shakespeare’s Romeo and Juliet, put together a performance for Jackman hailing the comeback of musicals. This divided the critics, with one Australian journalist saying it was ‘perhaps overstated’ and others applauding the (apparent) focus upon a younger audience. Many critics expressed surprise and/or disdain at some of the nominee lists, such as the omission of WALL-E and The Dark Knight from th
Wikipedia: http://en.wikipedia.org/w/index.php?search=81st+Oscars

Duration : 0:14:28

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DISCLAIMER: I DO NOT OWN THE LEGAL RIGHTS TO THESE MUSICS. THEY WERE CREATED, PRODUCED, & PERFORMED BY THE COMPOSERS IVE SITED. I IN NO WAY WISH TO TAKE CREDIT FOR THE REPLICATION OF THESE MUSICS & ONLY WISH TO USE THEM IN A NON-VIOLATING MANNER. NO COPYRIGHT INFRINGEMENT INTENDED

Duration : 0:9:6

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