2012 Academy Award (Oscars) Prediction for Best Picture

February 4th, 2012

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And the winner is…

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“It’s Hard Out Here for a Pimp” winning Best Original Song Oscar®

January 20th, 2012

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“It’s Hard Out Here for a Pimp” from the film “Hustle & Flow” winning the Oscar® for Best Original Song at the 78th Annual Academy Awards® in 2006. Music and Lyric by Jordan Houston, Cedric Coleman and Paul Beauregard. Presented by Queen Latifah.

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Kiss the Girl – Under the Sea at 62nd Annual Oscars (1990)

December 30th, 2011

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Daryl Hannah introduced Geoffrey Holder (Annie), who performs “Kiss the Girl” and “Under the Sea” at the 62nd Annual Oscars Ceremony in 1990.

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“Howard Ashman was a native of Baltimore who grew up loving theater.

In 1974, after graduating from Goddard College in Vermont and receiving his MFA from Indiana University—where he was also a member of the professional acting company—Ashman moved to New York. In 1976, his play, The Confirmation, was produced at Princeton’s McCarter Theater.

A founder of the WPA Theater, Ashman was also its Artistic Director. At the WPA, he conceived, wrote and directed a musical adaptation of Kurt Vonnegut’s God Bless You Mr. Rosewater with music by Alan Menken.

In 1982 he conceived, wrote and directed Little Shop of Horrors, again with music by Mr. Menken. The musical, based upon Roger Corman’s 1960s-era horror flick was immediately successful, indeed it soon became a New York “must see” playing for five years off-Broadway at the Orpheum Theater in lower Manhattan. The show played LA and London’s West End, Japan, Scandinavia and Europe and continues to be produced to great acclaim around the world. In 2003, Little Shop was revived on Broadway and in 2007 it was revived on London’s West End. It is currently one of the most-produced shows in American High Schools.

In 1986, Ashman wrote and directed the Broadway musical, Smile, which featured music by Marvin Hamlisch. Little appreciated at the time, Smile is now considered a lost gem of musical theater and is performed by high schools and amateur groups around the US.

Turning his talents toward film, Ashman was pivotal in the renaissance of Disney animated musicals and in the development of Disney’s The Little Mermaid (Producer and Lyrics), Beauty and the Beast (Executive Producer and Lyrics) and Aladdin (Lyrics), all with music by Alan Menken.

Ashman’s contributions to the revival of classic Disney animated musicals were perhaps best expressed by his colleagues, who dedicated the film Beauty and the Beast to his memory: “To our friend Howard, who gave a mermaid her voice and a beast his soul. He will be forever missed.”

Ashman’s numerous awards include two Oscars, two Golden Globes, four Grammys, a Drama Desk and a London Evening Standard. He died in 1991 at age 40 from complications arising from AIDS.” – HowardAshman.com

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[HD] Josh Groban & Beyoncé Knowles – Believe Oscars 2005

December 30th, 2011

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HDPomegranatzhttp://gdata.youtube.com/feeds/api/users/hdpomegranatzPeopleJosh, Groban, and, Beyoncé, knowles, singing, believe, live, performance, at, on, oscars, 2004, 2005, 2006[HD] Josh Groban & Beyoncé Knowles – Believe Oscars 2005

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Billy Crystal Oscars Opening — 2004 Academy Awards

December 23rd, 2011

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Billy Crystal’s Oscars opening monologue at the 76thAcademy Awards® in 2004.

Duration : 0:10:55

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Billy Crystal Oscars Opening — 2000 Academy Awards

December 16th, 2011

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Billy Crystal’s Oscars opening monologue at the 72nd Academy Awards® in 2000.

Duration : 0:8:43

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Billy Crystal Oscars Opening — 1998 Academy Awards

December 16th, 2011

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Billy Crystal’s Oscars opening monologue at the 70th Academy Awards® in 1998.

Duration : 0:6:45

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FULL 80th Oscars annual academy awards Watch in 1080p HD_chunk_10.mp4

December 14th, 2011

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In support of the American effort in World War II, the statuettes were made of plaster and were traded in for gold ones after the war had ended. The root of the name Oscar is contested. One biography of Bette Davis claims that she named the Oscar after her first husband, band leader Harmon Oscar Nelson; one of the earliest mentions in print of the term Oscar dates back to a Time magazine article about the 1934 6th Academy Awards and to Bette Davis’s receipt of the award in 1936. Walt Disney is also quoted as thanking the Academy for his Oscar as early as 1932. Another claimed origin is that the Academy’s Executive Secretary, Margaret Herrick, first saw the award in 1931 and made reference to the statuette’s reminding her of her ‘Uncle Oscar’ (a nickname for her cousin Oscar Pierce). Columnist Sidney Skolsky was present during Herrick’s naming and seized the name in his byline, ‘Employees have affectionately dubbed their famous statuette ‘Oscar”. The trophy was officially dubbed the ‘Oscar’ in 1939 by the Academy of Motion Pictures Arts and Sciences. Another legend reports that the Norwegian-American Eleanor Lilleberg, executive secretary to Louis B. Mayer, saw the first statuette and exclaimed, ‘It looks like King Oscar II!’. At the end of the day she asked, ‘What should we do with Oscar, put him in the vault?’ and the name stuck. Since 1950, the statuettes have been legally encumbered by the requirement that neither winners nor their heirs may sell the statuettes without first offering to sell them back to the Academy for US$1. If a winner refuses to agree to this stipulation, then the Academy keeps the statuette. Academy Awards not protected by this agreement have been sold in public auctions and private deals for six-figure sums. While the Oscar is under the ownership of the recipient, it is essentially not on the open market. The case of Michael Todd’s grandson trying to sell Todd’s Oscar statuette illustrates that there are some who do not agree with this idea. When Todd’s grandson attempted to sell Todd’s Oscar statuette to a movie prop collector, the Academy won the legal battle by getting a permanent injunction. Although Oscar sales transactions have been successful, some buyers have subsequently returned the statuettes to the Academy, which keeps them in its treasury. Since 2004, Academy Award nomination results have been announced to the public in late January. Prior to 2004, nomination results were announced publicly in early February. The Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization, maintains a voting membership of 5,835 as of 2007. Academy membership is divided into different branches, with each representing a different discipline in film production. Actors constitute the largest voting bloc, numbering 1,311 members (22 percent) of the Academy’s composition. Votes have been certified by the auditing firm PricewaterhouseCoopers (and its predecessor Price Waterhouse) for the past 73 annual awards ceremonies. All AMPAS members must be invited to join by the Board of Governors, on behalf of Academy Branch Executive Committees. Membership eligibility may be achieved by a competitive nomination or a member may submit a name based on other significant contribution to the field of motion pictures. New membership proposals are considered annually. The Academy does not publicly disclose its membership, although as recently as 2007 press releases have announced the names of those who have been invited to join. The 2007 release also stated that it has just under 6,000 voting members. While the membership had been growing, stricter policies have kept its size steady since then. Currently, according to Rules 2 and 3 of the official Academy Awards Rules, a film must open in the previous calendar year, from midnight at the start of January 1 to midnight at the end of December 31, in Los Angeles County, California, to qualify (except for the Best Foreign Language Film). For example, the 2010 Best Picture winner, The Hurt Locker, was actually first released in 2008, but did not qualify for the 2009 awards as it did not play its Oscar-qualifying run in Los Angeles until mid-2009, thus qualifying for the 2010 awards. Rule 2 states that a film must be feature-length, defined as a minimum of 40 minutes, except for short subject awards, and it must exist either on a 35 mm or 70 mm film print or in 24 frame/s or 48 frame/s progressive scan digital cinema format with native resolution not less than 1280×720. Producers must submit an Official Screen Credits online form before the deadline; in case it is not submitted by the defined deadline, the film will be ineligible for Academ
Wiki: http://en.wikipedia.org/wiki/Academy_Award

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Billy Crystal Oscars Opening — 1997 Academy Awards

December 11th, 2011

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Billy Crystal’s Oscars opening monologue at the 69th Academy Awards® in 1997.

Duration : 0:9:10

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Gunning for the Oscars 2012 (Academy Award Nominee Predictions)

December 7th, 2011

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As over twenty films compete for the top four categories that the Academy Awards have to offer, we take a look at our very own predictions for Best Actress, Best Actor, Best Director and Best Picture!

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