★ The Rap-Oscars 2010 – The XI.E class ★
December 2nd, 2011
★ Remember it? ★
★ The Rap-Oscars 2010 – The XI.E class ★
Duration : 0:6:8
★ Remember it? ★
★ The Rap-Oscars 2010 – The XI.E class ★
Duration : 0:6:8
It’s the one film that is selected each year by the Academy of Motion Picture Arts and Sciences … the best of what the film industry has done all year … the film named Best Picture. Relive Oscar history through some of the most memorable, more quiet moments from 82 classic films … Best Pictures one and all. Part 3 takes you from the epic THE LAST EMPEROR in 1987 to the most recent Best Picture winner from 2009, THE HURT LOCKER.
Duration : 0:10:34
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Duration : 0:6:2
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The Mark I design was intended to look like it was built from spare parts: particularly, the back is less armored than the front, as Stark would use his resources to make a forward attack. It also foreshadows the design of Stane’s armor. A single 90-pound (41 kg) version was built, causing concern when a stuntman fell over inside it. Both the stuntman and the suit were unscathed. The armor was also designed to only have its top half worn at times. The Embassy created a digital version of the Mark I. Stan Winston Studios built a 10-foot (3. 0 m), 800-pound (360 kg) animatronic version of the comic character ‘Iron Monger’ (Obadiah Stane), a name which Obadiah Stane calls Tony Stark and himself earlier in the film, but is never actually used for the suit itself. The animatronic required five operators for the arm, and was built on a gimbal to simulate walking. A scale model was used for the shots of it being built. The Mark II resembles an airplane prototype, with visible flaps. Iron Man comic book artist Adi Granov designed the Mark III with illustrator Phil Saunders. Granov’s designs were the primary inspiration for the film’s design, and he came on board the film after he recognized his work on Jon Favreau’s MySpace page. Saunders streamlined Granov’s concept art, making it stealthier and less cartoonish in its proportions. Sometimes, Downey would only wear the helmet, sleeves and chest of the costume over a motion capture suit. For shots of the Mark III flying, it was animated to look realistic by taking off slowly, and landing quickly. To generate shots of Iron Man and the F-22 Raptors battling, cameras were flown in the air to provide reference for physics, wind and frost on the lenses. For further study of the physics of flying, skydivers were filmed in a vertical wind tunnel. Phil Saunders created concept art for the War Machine armor and said that it was originally intended to be used in the film but was ‘cut from the script about halfway through pre-production.’ Saunders said that the War Machine armor ‘was going to be called the Mark IV armor and would have been weaponized swap-out parts that would be worn over the original Mark III armor,’ and that it ‘would have been worn by Tony Stark in the final battle sequence.’Composer Ramin Djawadi is an Iron Man fan, and still has issues of the comic from the late 1970s. Through his older brother, Amir, he is also into heavy metal music since the early 1990s. While he normally composes after watching an assembly cut, Djawadi began work after seeing the teaser trailer. Favreau clearly envisioned a focus on ‘heavy’ guitar in the score, and Djawadi composed the music on that instrument before arranging it for orchestra. The composer said Downey’s performance inspired the several Iron Man themes (for his different moods), as well as Stark’s playboy leitmotif. Djawadi’s favorite of the Iron Man themes is the ‘kickass’ because of its ‘rhythmic pattern that is a hook on its own. Very much like a machine.’ The other themes are ‘not so much character based, but rather plot based that carry you through the movie’. Guitarist Tom Morello of Rage Against the Machine and Audioslave, who has a brief cameo in the film as a guard, contributed additional guitar work to the movie’s soundtrack. The premiere was held at the Greater Union theater at George Street, Sydney, on April 14, 2008. The film was released worldwide except for Japan between April 30 and May 7, 2008, with Japan to receive the film in September 2008. Marvel and Paramount modeled their marketing campaign for Iron Man on that of Transformers. Sega released a video game based on the film, which included other iterations of the character. A 30-second spot for the film aired during a Super Bowl XLII break. 6,400 7-Eleven stores in the United States helped promote the film, and LG Group also made a deal with Paramount. Hasbro created figures of armors from the film, as well as Titanium Man (who appears in the video game) and the armor from the World War Hulk comics. Worldwide, Burger King and Audi promoted the film. Jon Favreau was set to direct a commercial for the fast-food chain, as Michael Bay did for Transformers. In the film, Tony Stark drives an Audi R8, and also has an ‘American cheeseburger’ from Burger King after his rescue from Afghanistan, as part of the studio’s product placement deal with the respective companies. Three other vehicles, the Audi S6 sedan, Audi S5 sports coupe and the Audi Q7 SUV, also appear in the film. Audi created a tie-in website, as General Motors did for Transformers. Oracle Corporation also promoted the film on its site. Estimates for the cost of marketing Iron Man ranged from US$50
Wikipedia: http://en.wikipedia.org/wiki/Iron_Man_(film)
Duration : 0:3:56
DCAPULEThttp://gdata.youtube.com/feeds/api/users/dcapuletEntertainmentOSCARS, 2009, Brad, and, Angelina, RedCarpetOSCARS 2009 Brad and Angelina RedCarpet
Duration : 0:0:33
(2000) – “Things Have Changed” • Wonder Boys, Bob Dylan
(2001) – “If I Didn’t Have You” • Monsters, Inc., Randy Newman
(2002) – “Lose Yourself” • 8 Mile, Eminem, Jeff Bass, Luis Resto
(2003) – “Into the West” • The Lord of the Rings: The Return of the King, Fran Walsh, Annie Lennox, Howard Shore
(2004) – “Al otro lado del rio” • The Motorcycle Diaries, Jorge Dexler
(2005) – “It’s Hard Out Here for a Pimp” • Hustle & Flow, Jordan Houston, Cedric Coleman, Paul Beauregard
(2006) – “I Need to Wake Up” • An Inconvenient Truth, Melissa Etheridge
(2007) – “Falling Slowly” • Once, Glen Hansard, Markéta Irglová
(2008) – “Jai Ho” • Slumdog Millionaire, A. R. Rahman, Gulzar
(2009) – “The Weary Kind” • Crazy Heart, Ryan Bingham, T-Bone Burnette
*Note: I couldn’t find the actual song from Crazy Heart so I used another version.
DISCLAIMER: I DO NOT OWN THE LEGAL RIGHTS TO THESE MUSICS. THEY WERE CREATED, PRODUCED, & PERFORMED BY THE COMPOSERS IVE SITED. I IN NO WAY WISH TO TAKE CREDIT FOR THE REPLICATION OF THESE MUSICS & ONLY WISH TO USE THEM IN A NON-VIOLATING MANNER. NO COPYRIGHT INFRINGEMENT INTENDED
Duration : 0:11:0
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Because Best Supporting Actor winner Heath Ledger died in January 2008 making his nomination one of posthumous recognition, the Academy had disputes over who should accept the award and who should gain ownership of it should Ledger win. Following talks with Ledger’s family in Australia, the Academy ruled that his previous domestic partner Michelle Williams could not accept the award as the two were not married. They then decided that Ledger and Williams’ three-year-old daughter, Matilda Rose Ledger, would own the award. However, due to Matilda’s age, she will not gain full ownership of the statuette until her eighteenth birthday in 2023. Until that time, Michelle Williams will hold the statuette in trust for Matilda. Ledger’s family attended the ceremony and his parents accepted the award on stage on his behalf. Shortly after the voting polls were closed for the awards, a purported list of winners was posted online. The list, which bore a purported signature from Academy president Sid Ganis, stated that Mickey Rourke won for Best Actor, Kate Winslet won for Best Actress, Amy Adams won for Best Supporting Actress, Heath Ledger won for Best Supporting Actor, and Slumdog Millionaire won for Best Picture. It was later confirmed as a fake list. The Academy of Motion Picture Arts and Sciences spokeswoman Leslie Unger later revealed that the list was ‘a complete fraud’, and that PricewaterhouseCoopers had just begun to count the ballots. The list was proved false as the first award of the night, Best Supporting Actress, was awarded to Penélope Cruz, not Amy Adams, the purported winner in the falsified list. (The last time names of award winners were leaked prior to the ceremony was at the 12th Academy Awards for 1939, before the Academy adopted the use of sealed envelopes for voting results. )Prior to the nominations announcement, it was suggested that the 2008-09 Screen Actors Guild labor dispute could affect the awards by discouraging actors’ attendance at the ceremony, However, as talks to end the dispute between the Screen Actors Guild (SAG) and the Alliance of Motion Picture and Television Producers (AMPTP) were ongoing, the expected strike did not affect the awards ceremony, although a resolution between SAG and AMPTP had not yet been reached at the time. Peter Gabriel, who was originally scheduled to perform his nominated song ‘Down to Earth’ from WALL-E during the live broadcast, declined to perform after learning that he would be allowed to sing only 65 seconds of the song during the ceremony’s Best Original Song nominee performances. Gabriel still attended the ceremony. John Legend performed the song in place of Gabriel, backed by the Soweto Gospel Choir. The telecast featured multiple yearbook style montages of films seen in 2008. They were made up of the animation, romance, comedy, documentary and action film categories. The animation segment began in a scene from WALL-E where the title character cuts open a damaged refrigerator revealing a VHS tape and an Oscar stauette. Wall-E plays the VHS tape on a tape recorder, which features the actual segment. At the end of the segment, multiple animated characters from the clips are revealed to be watching the tape with Wall-E. Listed below are the films featured in the segment. Background music: ‘Attack of the 60 ft. Lesbian Octopus’ by Does It Offend You, Yeah?Listed below are the films featured in the segment. Background music: ‘Lovers in Japan’ by ColdplayDirected by Judd Apatow. The segment begins in a set from Pineapple Express. Dale Denton brings Saul Silver every film that was not nominated for an Oscar to watch (though many were). After viewing the movies, Saul wonders why Janusz Kamiński is with a film crew in his apartment. They invite Kaminski to watch the remaining movies with them. Listed below are the films featured in the segment. The segment featured the directors and co-directors of each of the five nominated Best Documentary Feature films discussing their thoughts on the art of documentaries. Listed below are the films featured in the segment. Listed below are the films featured in the segment. Background music: ‘Tick Tick Boom’ by The HivesBaz Luhrmann, who has been dismissed in the past by the Australian media as a postmodern for his adaption William Shakespeare’s Romeo and Juliet, put together a performance for Jackman hailing the comeback of musicals. This divided the critics, with one Australian journalist saying it was ‘perhaps overstated’ and others applauding the (apparent) focus upon a younger audience. Many critics expressed surprise and/or disdain at some of the nominee lists, such as the omission of WALL-E and The Dark Knight from th
Wikipedia: http://en.wikipedia.org/w/index.php?search=81st+Oscars
Duration : 0:14:28
(2000) – Crouching Tiger Hidden Tragon, Tan Dun
(2001) – Lord of the Rings: The Fellowship of the Ring, Howard Shore
(2002) – Frida, Elliot Goldenthal
(2003) – Lord of the Rings: The Return of the Ring, Howard Shore
(2004) – Finding Neverland, Jan A.P. Kackzmarek
(2005) – Brokeback Mountain, Gustavo Santaolalla
(2006) – Babel, Gustavo Santaolalla
(2007) – Atonement, Dario Marianelli
(2008) – Slumdog Millionaire, A.R. Rahman
(2009) – Up, Michael Giacchino
DISCLAIMER: I DO NOT OWN THE LEGAL RIGHTS TO THESE MUSICS. THEY WERE CREATED, PRODUCED, & PERFORMED BY THE COMPOSERS IVE SITED. I IN NO WAY WISH TO TAKE CREDIT FOR THE REPLICATION OF THESE MUSICS & ONLY WISH TO USE THEM IN A NON-VIOLATING MANNER. NO COPYRIGHT INFRINGEMENT INTENDED
Duration : 0:9:32
This Russian film is a story about love and the random nature of when it strikes. The main character is a lonely female restroom attendant who discovers she has a secret admirer and searches frantically for his identity.
Duration : 0:9:40